Book published: 1972
Movie released: 1974
Mario Puzo’s novel is an absorbing, dark thriller that fascinates, horrifies, and entertains. The first two films Francis Ford Coppola adapted from the novel elevate the sordid story into operatic triumphs that some consider to be two of the best films ever made. Both films won Oscars for Best Picture (Part II being the first sequel to do so) and Best Adapted Screenplay.
The Godfather is a crime novel by American author Mario Puzo. Originally published in 1969 by G. P. Putnam’s Sons, the novel details the story of a fictional Mafia family in New York City (and Long Island), headed by Vito Corleone, the Godfather. The novel covers the years 1945 to 1955 and includes the back story of Vito Corleone from early childhood to adulthood.
The first in a series of novels, The Godfather is noteworthy for introducing Italian words like consigliere, caporegime, Cosa Nostra, and omertà to an English-speaking audience. It inspired a 1972 film of the same name. Two film sequels, including new contributions by Puzo himself, were made in 1974 and 1990.
The 1972 film adaptation of the novel was released with Marlon Brando as Don Vito Corleone and Al Pacino as Michael Corleone, directed by Francis Ford Coppola. Mario Puzo assisted with both the writing of the screenplay and other production tasks. The film grossed approximately $269 million worldwide and won various awards, including three Academy Awards, five Golden Globes and one Grammy. The film is considered to be tremendously significant in cinematic history. The sequel, The Godfather Part II won six Oscars, and became the first sequel to win the Academy Award for Best Picture.
The film’s plot follows the novel except for such details as backstories of some characters that are excluded, although they were filmed. Some of this footage was included in later re-edited versions such as, “The Godfather Saga.” The subplot involving Johnny Fontane in Hollywood was not filmed. The most significant deviation of the film from the novel was that the latter had a more positive ending than the film in which Kay Corleone accepts Michael’s decision to take over his father’s business. The film ends with Kay’s realization of Michael’s callousness, a theme that would develop in the second and third films, which are largely not based on the original novel. Vito Corleone’s backstory appeared in the second film, with his character portrayed by Robert De Niro.
The Corleone family closely resembles the Karamazov family in The Brothers Karamazov: a powerful father, an impulsive oldest son, a philosophical son, a sweet-tempered son, and an adopted stepson who is maintained as an employee. Honoré de Balzac’s novel Le Père Goriot (1835) has been the inspiration for notable lines that have gained wide popularity in cinema history. Similarly, Puzo opened his 1969 novel with an epigraph popularly attributed to Balzac: “Behind every great fortune there is a crime.” The saying is most likely evolved over time from Balzac’s original text: “The secret of a great success for which you are at a loss to account is a crime that has never been found out because it was properly executed.
Large parts of the novel are based upon reality, notably the history of the “Five Families”, the Mafia organization in New York and the surrounding area. The novel also includes many allusions to real-life mobsters and their associates. For example, Johnny Fontane is based on Frank Sinatra,and Moe Greene on Bugsy Siegel. In addition, the character of Vito Corleone was a composite of real-life organized crime bosses Frank Costello and Carlo Gambino.
