ARUNDHATI ROY – TOP INDIAN LITERARY FICTION WRITER

She rose to international prominence after winning the Man Booker Prize for Fiction in 1998 for her novel The God of Small Things. Roy began her career writing screenplays for television and movies and went on to become one of the most recognised names in Indian writing in English.

NOTABLE BOOKS:

The Algebra of Infinite Justice

Listening to Grasshoppers

Broken Republic

Arundhati Roy was born in Shillong, Meghalaya, India, to Mary Roy, a Malayali Jacobite Syrian Christian women’s rights activist from Kerala and Rajib Roy, a Bengali Hindu tea plantation manager from Calcutta.When she was two, her parents divorced and she returned to Kerala with her mother and brother. For some time, the family lived with Roy’s maternal grandfather in Ooty, Tamil Nadu. When she was five, the family moved back to Kerala, where her mother started a school.

Roy attended school at Corpus Christi, Kottayam, followed by the Lawrence School, Lovedale, in Nilgiris, Tamil Nadu. She then studied architecture at the School of Planning and Architecture, Delhi, where she met architect Gerard da Cunha. They married in 1978 and lived together in Delhi, and then Goa, before they separated and divorced in 1982.

Since publishing The God of Small Things in 1997, Roy has spent most of her time on political activism and nonfiction (such as collections of essays about social causes). She is a spokesperson of the anti-globalization/alter-globalization movement and a vehement critic of neo-imperialism and U.S. foreign policy. She opposes India’s policies toward nuclear weapons as well as industrialization and economic growth (which she describes as “encrypted with genocidal potential” in Listening to Grasshoppers: Field Notes on Democracy). She has also questioned the conduct of the Indian police and administration in the case of the 2001 Indian Parliament attack and the Batla House encounter case, contending that the country has had a “shadowy history of suspicious terror attacks, murky investigations, and fake encounters”.

Roy was awarded the 1997 Booker Prize for her novel The God of Small Things. The award carried a prize of approximately US$30,000 and a citation that noted, “The book keeps all the promises that it makes”. Roy donated the prize money she received, as well as royalties from her book, to human rights causes. Prior to the Booker, Roy won the National Film Award for Best Screenplay in 1989, for the screenplay of In Which Annie Gives It Those Ones, in which she captured the anguish among the students prevailing in professional institutions. In 2015, she returned the national award in protest against religious intolerance and the growing violence by rightwing groups in India.

In 2002, she won the Lannan Foundation’s Cultural Freedom Award for her work “about civil societies that are adversely affected by the world’s most powerful governments and corporations”, in order “to celebrate her life and her ongoing work in the struggle for freedom, justice and cultural diversity”.

In 2003, she was awarded “special recognition” as a Woman of Peace at the Global Exchange Human Rights Awards in San Francisco with Bianca Jagger, Barbara Lee, and Kathy Kelly.

Roy was awarded the Sydney Peace Prize in May 2004 for her work in social campaigns and her advocacy of non-violence.[109][110] That same year she was awarded the Orwell Award, along with Seymour Hersh, by the National Council of Teachers of English.

In January 2006, she was awarded the Sahitya Akademi Award, a national award from India’s Academy of Letters, for her collection of essays on contemporary issues, The Algebra of Infinite Justice, but she declined to accept it “in protest against the Indian Government toeing the US line by ‘violently and ruthlessly pursuing policies of brutalisation of industrial workers, increasing militarisation and economic neo-liberalisation'”.

In November 2011, she was awarded the Norman Mailer Prize for Distinguished Writing.

Roy was featured in the 2014 list of Time 100, the 100 most influential people in the world.

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